Honda Scoopy FI for rent in Ubud, Bali Honda Vario Techno 125 for rent in Ubud, Bali Honda Vario eSP 150 for rent in Ubud, Bali Honda PCX 150 for rent in Ubud, Bali

Bukit Campuhan Ubud

One of the Interesting places in Ubud to visit is Campuhan. Campuhan by Balinese is the confluence of two rivers.  

Campuhan River

Between the 2 rivers there are temple called Pura Gunung Lebah, from the temple up the hill to Campuhan Ridge where you can enjoy the atmosphere of the small street away from motor vehicles. The place is quiet and cool surrounding hills overgrown with weeds where it is flanked by two Campuhan rivers.

Campuhan Hill

This place is good for short trekking or cycling, you can come in the morning or Afternoon so that the atmosphere is more cool because if you come during the day (noon) it will feel hotter.

Campuhan Hill


Bukit Campuhan Ubud ( Campuhan hill )

From ubud market to the west direction until IBAH hotel, follow the small lane at the left side of IBAH signboard down to the temple (small bridge) turn right and follow the lane up the hill.

View Campuhan Hill Ubud in a larger map

Penataran Sasih Temple

Name of Sasih associated with the presence resembling bronze drum found in the penataran sasih temple, which is considered as the moon that falls from the sky. Society considers that the bronze drum is a manifestation of God or Lord foundation, so that people believe in and call the bronze drum as Ratu Sasih, the Goddess of the moon.

Pura Penataran Sasih
Pura Penataran Sasih

Historical review of Penataran Sasih temple can be expressions based on several ancient relics found in the temple, namely: the bronze drum, pragmen (the inscriptions from the 10th AD century) and the statue put on Candrasengkala Saka year 1264 (1342). Based on these artifacts can be presented as follows: the bronze drum located on Penataran Sasih come from the "Bronze Iron Age"-iron and bronze age, around 500 BC. 

The bronze drum at that time considered to have magical value. When the bronze drums (original in place) then where Penataran Sasih temple there in prehistoric times has been regarded as a sacred place. As well as the fragments of inscriptions were thought to have come from the 10th AD century show that Penataran Sasih temple regarded as a sacred place that holds an important role at that time.

Pura Penataran Sasih
Bronze drum - beside

Penataran Sasih Temple
Bronze drum - front

Location :
on Main Road to Tampaksiring, Banjar Intaran, Desa Pejeng

Museum Purbakala Bali

As its name, the Archeological Museum (Museum Purbakala) serves to store a variety of objects of cultural heritage from prehistoric to historic times. These objects are all derived from conservation in Bali itself. Built on land with an area of approximately 5165 meters and is divided into three parts namely the outer, middle, and inner. 

There are at least nine hall in the courtyard outside of the museum is used for a meeting room. And in the central courtyard serves to store and display of ancient objects from the museum's contents. Various collections of historical and pre historical details at this museum are divided into two groups based on the time or where these objects came the stone age to the bronze age, and the era of history from the eighth century until the XV century AD.

Museum Pubakala Bedulu, Bali
Museum Pubakala Bedulu, Bali
About the history of the museum purbakala Bali was originated from the idea of exhibiting objects of cultural heritage is managed by the Bureau of Antiquities in 1950. The idea was first raised by the former Department of Antiquities of Bali To the Professor Dr. Rd. Soejono and Drs. Soeharto. This museum itself was officially opened by the Director General of Culture Ministry of Education and Culture of Indonesia in mid-September 1974.

Museum Pubakala Bedulu, Bali
Museum Pubakala Bedulu, Bali
The facilities to provide the convenience to visitors, the museum is equipped with a relatively large parking area, bathroom and toilet. The museum is very precise, especially for those who want to know the history of  civilization Bali from time to time. 

Museum Pubakala Bedulu, Bali
Museum Pubakala Bedulu, Bali
Archaeological Museum is located on Tampaksiring main road, Bedudu Village, Blahbatu District, about 3 km from Ubud. Located about 26 km from the capital Denpasar or conversion took about 40 minutes away.

Uluwatu Temple

Uluwatu temple or Pura Uluwatu is located in the Pecatu Village, Kuta district, Badung.

Uluwatu Temple is located at the southwestern tip of the island of Bali on the bridge of rocks and high cliffs jutting into the sea and is Pura Sad Kayangan believed by Hindus as a buffer from 9 of the compass. 

Uluwatu  temple was originally used to place worship a holy priest from the 11th century named Empu Kuturan. He lowered teaching traditional village with all the rules. Uluwatu temple is also used to worship the holy priest followed, namely Dang Hyang Nirartha, who came to Bali in late 1550 and ended the trip with a so-called holy Moksah or Ngeluhur in place. That is the word from which the name of Uluwatu.

Uluwatu Temple
Uluwatu Temple

Pura Uluwatu or Uluwatu Temple is located at an altitude of 97 meters above sea level. In front of the temple there is a small forest called kekeran base, serves as a buffer sanctity of the temple.

Pura Uluwatu temple has several pesanakan, the temple is closely related to the main temple. Pura pesanakan it is Pura Bajurit, Pura Pererepan, Pura Kulat, Pura Dalem Selonding and Pura Dalem Pangleburan. Each temple has a close relation with the Pura Uluwatu, especially in the days of his piodalan (temple festival). Piodalan at Pura Uluwatu fell on Tuesday Kliwon Wuku Medangsia every 210 days. Manifestation of God who was worshiped in the Pura Uluwatu is the god Rudra.

the Monkey at Uluwatu Temple
the Monkey at Uluwatu Temple

Uluwatu temple is also known for directly below is the beach Pecatu often used as a place for surfing sports, even international events are often held here. The surf beach is very suitable to be famous surfing spot in addition to the natural beauty of Bali are indeed very beautiful.
at Uluwatu Temple you can see there are a lot of monkeys, so be careful carrying your stuff, handbags, hats, sunglasses, wallets etc.  There you can also see the Kecak performance during sunset, the scenery is very beautiful.

Kecak Dance at Uluwatu
Kecak Dance during the sunset

Taman Ayun Temple

Taman Ayun temple is a mother temple (Paibon) for the Kingdom of Mengwi, in Bali. Surrounded by fish ponds so that at the time in this place as if it were in the middle of the lake, built in the 17th century (supposedly built in 1634) by Tjokerda Sakti Blambangan  the first king of the Kingdom of Mengwi with architects from china. 

Originally the temple was founded by pretending that it is available when the distance is too far to reach by public Mengwi. Location of Taman Ayun Temple is in the Village Mengwi Badung regency, Bali, located approximately 18 Kilometers north direction from Kuta.

Taman Ayun Temple
Taman Ayun

Taman Ayun temple was destroyed by the great earthquake that occurred in 1917. Repairs carried out on a large scale in 1937, and in 1949 carried out repairs to the kori agung, gate, and making a great hall. The temple and the monument briefly as high as 16 feet in parts of the temple courtyard is built according to the architecture of Java, while a small temple monument in the form of stone seats totaling 64 pieces an era ancestor megalithic monument in memory of the warriors who died in the war.

Taman Ayun Temple
Taman Ayun

Taman Ayun Temple has an area of 100 x 250 m2, divided into, the outer court and the inner court. Exterior side yard beyond the pool there, in the courtyard of the three, the first is the first court is a place to rest while enjoying the beauty of the temple, the second is a lot higher in the second place of the court in the first, here are nine relief guard every corner or according to the belief of Balinese Hindu known as Dewata Nawa Sanga, the third is in the third courtyard, located at the high bun with a door in the center position will be opened only at the time of the ceremony as the exit point of statues and other ceremonial equipment. Meanwhile, two more doors on the left and on the right serves to activities in and out daily activities. Here where the most important and sacred, there are several temples and Meru which is a place of worship.

Location of Taman Ayun Temple

View Larger Map

Monkey Forest Ubud

The Sacred Monkey Forest of Padangtegal is owned by the village of Padangtegal. Village members serve on the Sacred Monkey Forest's governing council (The Padangtegal Wenara Wana Foundation). 

The Padangtegal Wenara Wana Foundation has historically strived to develop and implement management objectives that will both maintain the sacred integrity of the monkey forest in Ubud and promote the monkey forest ubud as a sacred site that is open to visitors from around the world.

Monkey forest ubud
the Monkey

In 1986, only 800 people per month (on average) were visiting the Sacred Monkey Forest of Padangtegal. Today, it is not uncommon for the monkey forest to host 15,000 visitors per month. Although the Padangtegal Wenara Wana Foundation welcomes the fact that a growing number of tourists are choosing to visit the Sacred Monkey Forest of Padangtegal, the Padangtegal Wenara Wana Foundation also recognizes that tourism can have negative impacts on the monkey forest's natural and cultural resources. As a result, some of the primary objectives of the Padangtegal Wenara Wana Foundation include:
  •     Educating people about the importance of conserving the Sacred Monkey Forest's natural and cultural resources.
  •     Maintaining a team of highly trained staff members that are responsible for overseeing the daily operations of the Sacred Monkey Forest.
  •     Monitoring and whenever necessary restoring the integrity of the Sacred Monkey Forest's natural and cultural resources.

Monkey Forest Map
Monkey Forest Map
The Padangtegal Wenara Wana Foundation would like to welcome you as a visitor to the Sacred Monkey Forest of Padangtegal. If you have any questions or need assistance, please ask a Wenara Wana staff member (identified in green uniforms). Currently, the entrance fee that visitors pay represents the primary source of funding for Padangtegal Wenara Wana Foundation natural and cultural resource management projects. 

Pura Dalem Padangtegal
the temple - Pura Dalem Padangtegal

The forest of Monkey Forest ubud
the forest

Monkey Forest ubud
the forest
The Padangtegal Wenara Wana Foundation requests that you help keep the visitor entrance fee nominal by respecting the sacredness of the Monkey Forest of Padangtegal, obeying all posted rules, and following the instructions of Wenara Wana staff members. In addition, if you enjoy your visit to the Sacred Monkey Forest Ubud, the Padangtegal Wenara Wana Foundation hopes that you will consider providing an additional monetary contribution (which will help the Padangtegal Wenara Wana Foundation to fund projects associated with the conservation of of the Sacred Monkey Forest's natural and cultural resources). Contributions can be made at the monkey forest's main office (located at the monkey forest's main entrance, jalan monkey forest, Ubud, Bali).

see more detail about Monkey Forest Ubud

View Monkey Forest Ubud in a larger map

Museum Puri Lukisan

When the high quality of Balinese art became worldly recognized, more and more Balinese artworks disappeared to other parts of Indonesia and foreign countries. Thus, the fear among the Balinese people, and also Rudolf Bonnet (a Dutch painter, 1895-1978), raised that the most precious art would be lost forever and would never come back to its origin.

Another need among the artists was to improve their skills without losing their own identity as Balinese artists.

The above mentioned developments were enough for Rudolf Bonnet together with Tjokorda Gde Agung Sukawati (the former Prince of Ubud, 1910-1978) and his brother, Tjokorda Gde Raka Sukawati and the famous painter to alter and shape a foundation in 1936, called "Pita Maha".

This foundation was to represent around 125 members in overseas market through exhibitions. Another activity was to organize weekly meetings with painters and woodcarvers in Ubud to discuss their works.

Following the disruptions of Second World War, a new organization, called "Ubud Painters Group", was created by artists such as I Gusti Nyoman Lempad under auspices of Tjokorda Gde Agung Sukawati and Rudolf Bonnet. Although it had many followers, the end came soon. Since then, a need for a museum of traditional Balinese art was felt among the artists.

First another foundation called Yayasan Ratna Wartha was established in 1953. This Yayasan Ratna Wartha was to carry out the role and uphold the ideals of "Pita Maha". In the same period plans and preparations were made to build a museum of modern Balinese art, designed by Rudolf Bonnet. With several financial support from different sources the building could start.

A foundation stone-laying ceremony was performed by the then Prime Minister Ali Sastroamidjoyo. The name of museum was "Puri Lukisan" (palace of painting), from this time Tjokorda Gde Agung Sukawati became director of the museum and Bonnet the curator of museum. Without any support from the then Governor Sarimin Reksodiharjo the museum could not developed as far as now.

Museum Puri Lukisan was officially opened for public by the then Minister of Education and Cultural Affairs, Mr. Mohammad Yamin at 31st of January, 1956.

The collection started with a donation of paintings from Rudolf Bonnet. Eventually more had to follow, which were donated by different artists themselves and friends who want to help the museum. The foundation achieved in purchasing some art pieces for the collection. Thanks to the cultural agreement the Dutch government supported the return of Bonnet in 1975, who was summoned to leave Bali in 1956, to complete the building of the museum.

Museum Puri Lukisan shows with its collection (painting and woodcarvings) the important developments of Balinese arts which is unique and priceless. Nowadays within the rapid changes in the art world the museum is active in organizing exhibitions of local artists.

In this year, when both Rudolf Bonnet and Tjokorda Gde Agung Sukawati died, a great ceremony was held to honor them. Their memory lives on in the creation of Yayasan Ratna Wartha and Museum Puri Lukisan, an unforgettable contribution to the arts, for the benefit of both local and global community

Location of Museum Puri Lukisan Ubud

View Museum Puri Lukisan Ubud in a larger map

Antonio Blanco Museum

Blanco, arguably the most famous and successful artist to ever live in Bali, built his magnificent studio on top of a mountain overlooking the Campuan River. This flamboyant building, a unique blend of Balinese architecture imbued with the spirit of his native Spain, houses an interesting collection of works drawn from different periods of his long career. 

During his life it was visited daily by hundreds of people from all over the world. The artist, full of "Catalan charisma," earned himself the sobriquet "The Fabulous Blanco," an expression that mirrored his talent for creativity

Don Antonio Blanco
Antonio Blanco
Antonio Blanco was born on September 15, 1911, in Manila, the capital of the Philippines. Both of his parents were Spanish, a fact that Blanco believed linked him geographically and spiritually to Miro and Salvador Dali. His father settled in Manila during the Spanish - American War, where he attained prominence as a physician. Blanco was educated at the American Central School in Manila. During his high school years he loved the arts, literature and language classes but struggled in scientific subjects. It is no wonder that he spoke six languages - Spanish, French, English, Tagalog, Indonesian and a bit of Balinese. After completing high school in Manila, Blanco studied at the National Academy of Art in New York under Sidney Dickinson. During those early formative years, Blanco concentrated on the human form, fascinated by the female body more than any other subject matter. To further his studies and ignite his traveling spirit, he traveled extensively throughout the world before he finally landed in Bali in 1952.The King of Ubud gave Blanco a piece of land to set up his home and studio in Campuan, Ubud, at the confluence of two sacred rivers. Blanco and his Balinese wife, the celebrated dancer Ni Ronji, lived in their mountain retreat, barely leaving it for the world outside. Following a brief trip to the United States, where Blanco acquired many new collectors, the couple never left their fantasy home again.

Living in serene surroundings with his four children, Tjempaka, Mario, Orchid and Maha Devi, Bali became Blanco's center. He was fascinated by the island and completely captivated by its charm.

view in larger map

Blanco lived and worked in his magical hilltop home until his death in 1999, feverishly creating his fantasy portraits of beautiful women. Surrounded by lush gardens, rice fields and with a Banyan tree standing over his family's temple, Antonio Blanco proceeded to create a new reality for himself. His artistic outpourings of this isolated world became much sought after by eager art lovers, collectors and promoters. Within a few years, Blanco became the most famous foreign artist to make Bali his home. He was recognized in both Indonesia and abroad, receiving numerous Blanco Awards and commanding huge prizes at international auctions.

By the end of his life, Blanco had begun building his museum at his studio in Campuan. Dramatically, he died just before its inauguration. His funeral was marked by a very important Blanco Cremation in Ubud. It was Blanco's dream to turn his studio-mansion into a museum. His son, Mario, fulfilled this dream by following his path to become a painter. The Blanco Renaissance Museum is now open to the public, exposing both the maestro's and Mario's art works..

To learn more about Antonio Blanco, purchase the book "Fabulous Blanco"

Antonio Blanco
Antonio Blanco

See more detail about Antonio Blanco Museum

Agung Rai Museum of Art

As one who has lived in and been involved with the world of art, particularly the art of painting, my love for that world has grown daily. My interest and dedication increased dramatically after seeing the collections of two museums in Bali, the Puri Lukisan Museum and the Neka Museum. The identity and individuality of each of these museums is truly reflected by their unique settings and distinctive collections.

Arma Museum

Through the good fortune I experienced in the world of art, I have had the opportunity to collect paintings that I feel are complementary to and congruent with the collections in the two museums mentioned above. I began collecting paintings seriously in 1980, and the works I sought were those that were an expression of the depth of the artist's sensitivity -- paintings which moved me, and to which I felt a spiritual connection.

The collection includes the works not only of Balinese artists, but also of Indonesian painters from islands other than Bali, such as Affandi, Sudjono, Hendra Gunawan, Srihadi Soedarsono, Abas Alibasyah and others. There are also works by foreign artists who drew inspiration from the natural beauty and culture of Bali. Included are paintings by Rudolph Bonnet, Arie Smit, Le Mayeur de Merpres, Wilem Hofker, Antonio Blanco, Theo Meier, Donald Friend, Hans Snel and others.

I have always been greatly impressed by the paintings of Walter Spies and Raden Saleh and they have been placed in a special collection.
The collected paintings are now in a museum that has been given the name Museum Seni Agung Rai / Agung Rai Museum of Art (ARMA).
The Museum is to be managed by the ARMA Foundation, to sustain its continuity. One of the main goals of the foundation is to preserve and promote the arts and culture, not only of Bali, but of all Indonesia.

In fact what has been accomplished to date is only a beginning. Nonetheless I hope that the establishment of ARMA will contribute to the treasuring of the arts in the Ubud, Gianyar area, which is the center of artistic life in Bali.
Finally I would like to take this opportunity, on behalf of the founders and the board of the ARMA Foundation, to give thanks and express immense appreciation to the government officials, the artists, and all of the others who have assisted us in the establishment of this museum. Of course, praise and prayers of thanks to almighty God, Ida Sang Hyang Widhi Wasa, as it only through God's grace that what we envisioned has been realized today.

-- Ubud, June 9, 1996
Chairman of the ARMA Foundation
Agung Rai
Agung Rai

More detail of ARMA

Museum Rudana

A Museum With A Comprehensive Paradigm

Rudana Museum is a museum that was conceptualized, built and developed with a comprehensive paradigm. By occupying the building that was specially designed as a museum, Museum Rudana incorporates the sacred philosophy (holy), where each building in this Museum carries symbols of human devotion to God the mighty Creator.

Museum Rudana

The concept of Museum Rudana as a sacred spatial structure was created by its Founder, Museum Rudana. Nyoman Rudana. With the concept of Tri Hita Karana, he envisioned a building that combines spatial, environment: internal and external covering surrounding residents, which includes everything on the spatial structure: human, management , staff, the museum's collection and all the factors that support the solid foundation of Museum Rudana.

Putu Supadma Rudana
Museum address : Jalan Raya Mas, Ubud - Gianyar
See more about Rudana Museum

Neka Art Museum

The Neka Art Museum collection is displayed in several buildings patterned after Balinese architecture. The main structures are for the permanent display of the government registered collection. Another building is used for temporary exhibitions. 

The Neka Art Museum has achieved high standards as a museum of international standing. By July of 1997 it covered an area of 9150 square meters, with 2580 square meters of floor space. The buildings are well maintained and the artworks are displayed and organized historically. The collection continues to grow over the years with over three - hundred pieces.

Raya Campuhan St.
Kedewatan Village, Ubud
Gianyar 80571
Map of Neka
Map of Neka
Neka Art Museum Ubud Bali, is more than just collection of fine art inspired by natural beauty, people, and culture of Bali.

The Neka Art Museum was opened in 1982 and is named after a Balinese teacher Suteja Neka who collected paintings as a means of artistic documentation. Nowadays the museum has a great selection of works from many famous Balinese artists and expats who have lived here and influenced local artists.

Suteja Neka
Suteja Neka

Monday-Saturday: 9 A.M.- 5 P.M.
Sunday: NOON - 5 P.M.
Closed: Nation Holiday

Admission Fees for the Permanent Collection
Rp. 50.000 Adults and Free for children 12 and under

If you have questions or comments about the Museum,
Email :
See more detail NEKA ART MUSEUM

Museum of Bali

Museum of Bali is one of the old buildings that are still intact to this day in Bali. It is in the center of Denpasar, exactly in the east Puputan Badung Square, adjacent to the Pura Agung Jagat Natha. 

The building extends from north to south is divided into two parts. The northern part is a complex of old buildings planned and built in 1910. So who like history during a holiday in Bali, you can visit Museum of Bali located in Denpasar, easily accessed by vehicles such as cars, motorcycles or minibus.

Museum of Bali
Museum of Bali

Bali Museum is a museum of relics past human storage and ethnography. The physical structure of the building is a combination of a physical structure or a palace, and a lot of the collection consists of ethnographic objects such as tool and equipment life, arts, religion, language and other writings that reflect the life and development of the culture of Bali.

Building on the Bali museum is based on the concept of Tri Mandala; nista mandala(the outside), madya mandala (the outside before entering the core), and utama mandala (the core).
At the core (utama mandala) there are buildings that consists of three buildings, namely:

Tabanan Building, Pavilion typical architecture of Tabanan, saved antiquities, such as objects of art, accessories, housewares, appliances ceremony, and an assortment of traditional weapons.

Tabanan Style building
Tabanan Style

Buleleng Building, North Bali-style architecture building tools stored household items, craft tools, agricultural tools and fishing, entertainment appliances, primitive sculptures from clay, stone, and more.

Buleleng Style Building
Buleleng Style

Karangasem Building, East Bali style architecture building stored prehistoric objects, objects of archeology, ethnography, art as well as some modern paintings.

Karangasem style building
Karangasem Style

Open: Sunday - Thursday from 8:00 am to 03:00 pm and Friday from 08:00 am to 12:30 pm
Address : Jalan Mayor Wisnu, Denpasar, Phone: (0361) 222 680 / 235059


The town's name is derived from the word batulambih, which roughly translates as "many stones" a reference to the destructive eruptions by Mount Agung that have effected this part of Bali from time to time. The beach in Tulamben is not made of sand, but entirely covered with fairly large, smooth stones. The modern name evolved over time, first to "Batulamben" and finally settling on the contraction Tulamben ("batu" means "stone" in Indonesian)

Fish in Tulamben

Tulamben Beach
Tulamben Beach

Tulamben Under Sea
Diving in Tulamben

Tulamben is a small fishing village on the north-east coast of Bali. It is among the most popular dive sites on Bali since the wreck of the Liberty, a US Army Transport ship torpedoed by a Japanese submarine in 1942 lies just off shore. During high-season, up to 100 divers descend to the wreck each day

Tulamben Map
Tulamben Map


Tegallalang is in Gianyar regency, located to the north of Ubud around 20 minutes from Ubud. This area is famous for its rice terraces. There are also many tourists who want to Kintamani stopped at this place to witness the scenic beauty of the rice terrace or lunch at a restaurant to enjoy the beautiful views of rice terrace.

Rice Terrace Tegallalang
Rice Terrace Tegallalang

Rice Terrace Tegallalang
Rice Terrace Tegallalang

Rice Terrace Tegallalang
Rice Terrace Tegallalang

Beside the beautiful views of rice terrace, Tegallalang also a business destination for handicraft items because along the way there are hundreds of shops selling handicraft items like: sculptures from wood, glass frames, mosaic also sold along the way, and others.

West Bali National Park

West Bali National Park (Taman Nasional Bali Barat in Bahasa Indonesia) is the most north-westerly point of Bali. It includes the whole of the Prapat Agung Peninsula, and large swathes of land around the towns of Gilimanuk, Cekik and Banyuwedang. The official area inside the park boundaries is 190 square kilometres, with a further 580 square kilometres of protected reserve in the highlands to the east. In total this accounts for some ten percent of Bali's total land area.
The habitat is very varied with rainforest, dry savanna, acacia scrub and lowland forests, as well as more montane forests in the higher centre. There are also some pockets of dense mangrove forest. 

west bali national park beach
West Bali National Park
In the north of the park there is an obvious north jutting peninsula called Prapat Agung. Around this peninsula there are long stretches of protected beach and offshore coral reef as well, as a small offshore island called Menjangan. The latter is a very popular diving destination.
There are several long extinct volcanoes in the protected reserve area to the east, with Mount Patas (1,412 metres) and Mount Merbuk (1,388 metres) being the highest points. These peaks are dominant visual landscape features from within every area of the park. 

West Bali National Park Map
West Bali National Park Map

One hundred and sixty species of bird have been recorded in the park, including the near extinct Bali Starling, Bali's only endemic vertebrate species, and a key reason why this national park was created in the first place. By 2001, as few as six individuals were thought to survive in the wild, all of them in this park. Since then captive breeding and re-introduction efforts have continued apace, but poaching pressures are a large problem. With that in mind, a seconf re-introduction programme was started in remote regions of Nusa Penida in 2004. Keen birdwatchers can find a checklist of likely species and their status here.
Mammals found inside the park include Banteng, a species of wild cattle from which the familiar Bali cows are descended. Java Rusa and Indian Muntjac deer are quite widespread, and Menjangan Island is in fact named after these (Menjangan means deer in Bahasa Indonesia). Wild Boar and Leopard Cats are both quite common but seldom encoutered.
A Bali Tiger (a full sub-species of Tiger) was shot here in 1937, and despite rumours to the contrary, that is the last ever confirmed sighting of an animal considered extinct since that moment. 

Jalak Bali Bird
Jalak Bali


This is a small laid-back village which has become increasingly popular with visitors in recent years. There are a number of waterfront resorts and its proximity to Lovina and West Bali National Park together with the extreme natural beauty of the area, has fuelled quite rapid growth in tourism infrastructure in the area.

Pemuteran is home to the largest artificial Biorock reef project in the world and there is a real spirit of marine conservation effort in this area.

pemuteran beach
Pemuteran Beach

pemuteran beach
Pemuteran Beach

pemuteran under sea
Pemuteran Diving


This is a tiny, remote village in one of the least visited areas of Bali. It is very much a surfing hot spot, and most visitors who do stay here stay for that reason alone. For non-surfers, it does offer a glimpse of what so much of Bali was like before the growth of mass tourism in the 1970s, and is a great place to relax. 

Medewi is located about 75 kilometers west of Denpasar on the main south coast road, about 34 kilometers further west than the town of Tabanan. Anyone who traveling from the south of Bali by road to the west coast port town of Gilimanuk will pass by here.

The origin of Medewi as a place name. This area was a forest with many Ketket or thorny trees. In Balinese, thorny forest is Alas Meduwi hence the place was named Meduwi which then became Medewi.

Medewi Sunset
Medewi Beach

Medewi Sunset
Medewi Sunset

Medewi Surfing
Surfing at Medewi

Gitgit Waterfalls

Gitgit village (10 km south Singaraja on the main road to Bedugul). 8AM-5:30PM daily. You are on the northern slopes of the central mountain range here, and there are three spread out waterfalls around the village of Gitgit. 

When driving south from Singaraja to Bedugul you cannot miss the signs and car parks. The best of the falls is the southernmost which drops about 50 metres. Some opportunities for bathing in the cool and fresh mountain waters.

Gitgit Waterfall
Gitgit Waterfalls

Gitgit Waterfall
Gitgit Waterfalls

Gitgit Waterfall
Gitgit Waterfalls